Asahi Pentax K2 & SMC Pentax‑M 50mm f/1.7 Review and Guide

A Brief History of the Asahi Pentax K2

The Asahi Pentax K2 arrived in the mid‑1970s, a moment when 35mm photography was shifting from purely mechanical cameras towards reliable electronic metering and automatic exposure. Pentax introduced the K‑mount, a bayonet lens mount that replaced their older screw mount, and the K2 stood near the top of this new line. It was designed to bridge worlds: one foot in classic, mechanical operation and the other in the growing convenience of aperture-priority automation.

While other brands chased ever more complex electronics, the K2 focused on practical control, durable build, and an intuitive layout that still feels familiar to today’s photographers. The camera earned a reputation as a dependable workhorse for enthusiasts who wanted both precision and a bit of creative assistance from the meter.

Top plate of the Asahi Pentax K2 showing shutter speed and ISO controls
Asahi Pentax K2 top plate with classic shutter and ISO controls — Photo via DutchThrift.

Technical Overview: K2 Body and SMC Pentax-M 50mm f/1.7 Lens

K2 body: Controls, shutter, and metering

The Asahi Pentax K2 uses a vertical‑travel metal focal‑plane shutter with speeds typically from 1s to 1/1000s plus Bulb. Its standout feature is the combination of manual and aperture‑priority auto exposure. In manual, you set both shutter and aperture yourself. In aperture‑priority, you choose the f‑stop and the camera selects a shutter speed for you, guided by its built‑in light meter.

The meter reads through the lens and displays recommended speeds in the viewfinder, making exposure decisions straightforward. Importantly, the K2 is only partially electronic. It relies on a 4SR44 battery for full metering and auto modes, but it can still fire mechanically at specific speeds if the battery dies, which adds confidence when traveling.

SMC Pentax‑M 50mm f/1.7: A compact classic

The SMC Pentax‑M 50mm f/1.7 is a natural partner for the K2. Famous for its compact size, sharpness, and pleasing rendering, it offers a bright maximum aperture for low light, shallow depth‑of‑field portraits, and general everyday shooting. The Super Multi Coating (SMC) helps control flare and maintain contrast, even when shooting backlit scenes on film.

Asahi Pentax K2 with 50mm lens side profile on a table
Compact and solid: the Pentax K2 with SMC Pentax‑M 50mm f/1.7 — Photo via DutchThrift.

On digital bodies, this lens adapts beautifully with a simple K‑mount adapter, giving modern sensors a distinctly film‑era character. You keep manual focus and manual aperture control, which many photographers enjoy for deliberate shooting.

Why the K2 Matters for Modern Creatives

A camera that teaches you to see

The K2’s combination of manual and aperture‑priority modes makes it a subtle teacher. You can start in aperture‑priority to focus on composition and depth‑of‑field, then switch to full manual once you understand how shutter speed affects motion and exposure. The bright optical viewfinder and straightforward controls encourage you to look, adjust, and shoot with intention.

I remember the first time I pressed the K2’s shutter and really heard it. The soft, confident click made me pause, breathe, and double‑check my frame. Instead of chasing the next shot, I stayed with that moment a little longer—and that’s when my compositions quietly started to improve.

A tactile alternative to digital speed

For many modern creatives used to instant review, the K2 slows the process in a productive way. There is no LCD to distract you, just the sound of the advance lever and the feel of the shutter button. You develop a rhythm: meter, set, breathe, release. This deliberate pace often leads to more thoughtful series of images and a better understanding of how light behaves across different scenes.

Responsible Film Shooting with Classic Gear

Making every frame count

Film is a finite resource in your camera, and shooting sustainably means respecting each frame. Instead of firing multiple near‑identical shots, use careful bracketing: one exposure as metered, one slightly under, one slightly over when necessary. Thoughtful bracketing preserves film while still giving you safety margins in tricky light.

Testing your meter against a known, consistent light source—like a calibrated handheld meter or a trusted digital camera in spot meter mode—helps ensure you are not wasting rolls on inaccurate readings.

  • Check light seals and mirror foam before use.
  • Always remove the 4SR44 battery before long storage.
  • Bracket exposures thoughtfully rather than frequently.
  • Keep notes on film stock and exposure results for learning consistency.
  • Test metering with a known light source.
  • Inspect battery compartment for corrosion.
  • Ask for proof of light seal replacement.
  • Avoid units with sticky aperture-priority magnets unless serviced.

Sustainability through second-hand gear

Choosing a classic like the K2 from a second‑hand source extends the life of well‑made equipment and keeps new materials out of circulation. With proper care—regular checks, clean storage, and respectful handling—a K2 can keep shooting for decades, making it an environmentally and creatively sound choice.

Buying the Pentax K2 Second-Hand: What to Inspect

Body condition and functionality

When considering a Pentax K2 on the second‑hand market, start with the basics. Look for dents, cracks, or signs of impact on the top plate and lens mount. Open the back and inspect the shutter curtains for creases or pinholes. Check the film advance for smooth operation and listen for consistent, crisp shutter sounds across all speeds.

Light seals and mirror foam are critical on a camera of this age. Crumbling, sticky, or melted foam can lead to light leaks and a messy interior. Replacements are relatively inexpensive, but knowing whether they have been recently serviced helps you estimate the true cost of ownership.

Electronics, meter, and aperture-priority mode

Insert a fresh 4SR44 battery and confirm that the meter responds as you move from bright light to shadow. Test aperture‑priority mode by setting different apertures and watching if the indicated shutter speed changes logically. Sticky aperture‑priority magnets are a known issue on some aging bodies; if auto exposure behaves erratically, factor in a professional CLA (clean, lube, adjust).

Finally, inspect the lens: check for fungus, haze, or deep scratches, and make sure focus and aperture rings move smoothly. A clean SMC Pentax‑M 50mm f/1.7 can easily outlive several camera bodies.

Final Thoughts: The Pentax K2 as a Learning Tool

The Asahi Pentax K2 with SMC Pentax‑M 50mm f/1.7 is more than a nostalgic object; it is a practical, enduring tool for learning photography. Its blend of mechanical reliability, aperture‑priority convenience, and tactile controls nudges you toward a slower, more considered approach to image‑making.

Whether you are stepping into film for the first time or coming from digital and looking for a grounding, hands‑on experience, the K2 offers a balanced entry point. It pairs beautifully with classic 35mm stocks, encourages disciplined shooting, and rewards attention to light and composition—values that never really go out of style.

If you are exploring other options, browse our curated selection of analog cameras, including other SLR film cameras and supporting photography accessories to build a complete, sustainable kit.

FAQs

Is the Asahi Pentax K2 fully mechanical? The K2 is partially mechanical: its shutter is mechanically based but uses electronic control for aperture‑priority auto exposure. It can still fire at certain manual speeds even without a battery, though the meter and auto modes will not function.

Can the SMC Pentax-M 50mm f/1.7 lens be used on digital cameras? Yes. With a simple K‑mount adapter—such as K‑to‑E, K‑to‑RF, or K‑to‑X—you can mount it on many digital bodies. Focus and aperture are fully manual, which many photographers appreciate for precise control.

What films pair best with the K2? For black‑and‑white, Ilford HP5+ offers forgiving exposure latitude and classic tonality. For color, Kodak Portra 400 provides smooth skin tones and flexible exposure, while CineStill 800T suits low light or cinematic, tungsten‑balanced scenes.

What’s a fair price for a serviced Pentax K2 in 2026? In 2026, a fairly priced, serviced Pentax K2 body with an SMC Pentax‑M 50mm f/1.7 lens generally falls between €120 and €200, depending on cosmetic condition, service documentation, and the state of the light seals and meter.

Ready to start your film journey with a camera that teaches you as you shoot? Explore our second‑hand Pentax options and other carefully inspected SLR film cameras at DutchThrift.com.